Best of the Best

Nothing new today. But in case 20 songs was too much to handle, I've hand-picked the best of the best from the Lunar New Year Extravaganza. These three should make Eric Roberts proud.

Best of LNYE, Pt. 1: Las Cruces Jail / Two Gallants [American]

Best of LNYE, Pt. 2: Ha Ha Ha Song / Jaurim [Korean]

Best of LNYE, Pt. 3: Bijt Mijn Tong Af / Spinvis [Dutch]

LNYE, Pt. 1
LNYE, Pt. 2
LNYE, Pt. 3
LNYE Condensed: Best of the Best

LNYE, Pt. 3: My Favorite Album of 2005

Ik Wil Alleen Maar Zwemmen (I Want Only But To Swim) / Spinvis
Kom in the Cockpit (Come in the Cockpit) / Spinvis
Bijt Mijn Tong Af (Bite My Tongue Off) / Spinvis
Bonus: Smalfilm (Small Film) / Spinvis

The first installment of the Lunar New Year Extravaganza dealt with music from the Boring Three (the U.S., Canada, and Britain). The second segment focused on a Korean band. (See links below.) The third and final post in celebration of the new moon-year is on a man from the Netherlands.

Spinvis writes songs. When I first heard them, I figured a wizard had transformed the Icelandic noisefashioning foursome known as Múm into a 41-year-old Dutch songwriter and his troupe.
But that's stupid. The only real similarity between Spinvis and Múm is an ability to make non-acoustic music sound effortlessly organic. Spinvis writes songs that are tuneful, though crafted to feature bits of glockenspiel, strings, winds, bleeps, and blips. Spinvis also released my favorite album of 2005 and has me believing that music is better when you don't understand the words.

That album, Dagen van Gras, Dagen van Stro (Days of Grass, Days of Straw), is the perfect soundtrack for mildly-threatening outdoor activities. "Ik Wil Alleen Maar Zwemmen" is the childhood walk that unexpectedly turns to a gallop. "Bijt Mijn Tong Af" is the hang-gliding session that opens with a quiet Kim Deal "ah-ooo" and a Grandaddy bassline, and closes with you hanging from a tree. And "Kom in the Cockpit" is an upbeat flying machine sexscapade. There's also the slightly mournful backfloat ("Aan de Oevers van de Tijd"); the cellphone war around the campfire ("Het Voordeel van Video"); the storm impending on a night of outdoor ballet ("Flamingo"); the sailboat ride just off the shore ("Dagen van Gras, Dagen van Stro"); and the 11-minute stuttered-word journey through the forest of unwritten Dutch fairy tales ("Lotus Europa"). Purchase all that and more here or at the iTunes music store. (Rhymezone!)

"Smalfilm," released in 2002, is the single from Spinvis's self-titled debut. (Double rhyme!!)

For even more Spinvis-ing, go here.

LNYE, Pt. 1
LNYE, Pt. 2
LNYE, Pt. 3
LNYE Condensed: Best of the Best

LNYE, Pt. 2: Purple Rain... Forest

A Side / Jaurim
Vlad / Jaurim
Ha Ha Ha Song / Jaurim
17171771 / Jaurim

Jaurim is the foremost deity of Korean indie pop. The four carefree bicyclers pictured above emerged in 1997 as Ugly Duckling, quickly changed their name to Jaurim (which means "Purple Rain Forest" in Korean), and awoke to fame after recording the soundtrack for a popular Korean television drama (The Man with a Flower). Over the following 9 years, they released approximately 10 albums—it's hard to keep track because lead singer Kim Yoon-ah kinda-sorta left the band in 2002. Since then, she's released a number of solo efforts, the remaining band members recorded an album as the Chococreamrolls, and they've all collaborated for live shows and their most recent LP, All You Need Is Love (2004).

The draw is definitely Yoon-ah; her voice is Jaurim's superpower. On tracks like the brief "A Side" (off of 1999's Bijungkyojakob), a perfect opener or closer for a mixtape, she twees her way lightly through a single minute of la la la's. On "Vlad" (from 2002's Vol. 4) she flexes her muscles a bit more, running alongside crunchy guitars, singing in Korean, and yelling English fragments like, "Time to die" and "You'll be mine." But it's on the recent "reunification" album All You Need Is Love, that Yoon-ah really demonstrates her range. On "Ha Ha Ha Song"—the album's sing-along standout—she moves adroitly back-and-forth between a Latin lounge-singer persona and a punkier guise, oftentimes within the spacing of a single phrase. And on "17171771" (which boasts a melody so familiar the song sounds like a cover), she poses as the delicate type despite knowing full well that she's a great deal more.

LNYE, Pt. 1
LNYE, Pt. 2
LNYE, Pt. 3
LNYE Condensed: Best of the Best

Lunar New Year Extravaganza, Pt. 1

MP3s Lunar New Year Fun-Pack / Various Artists

FULL ZIP Lunar New Year Fun-Pack / Various Artists

Happy Chinese/Lunar New Year! To celebrate, I will try to make you read more than usual.

Apparently there's a new rule requiring one to apologize prior to making a "Best Of" list. Every 2005 list I've read has begun with some tepid disclaimer about how it would be impossible to capture the magic and beauty of an entire year of music (or film or books or whatever) in a single list. The only problem with these disclaimers is that they are totally and completely false. Every single time I declare, "This is the best (blank) of (blankiness)" I am speaking the gospel. I love proclaiming "bests" and "favorites" because I'm always right. And I love the word "definitely."

Thus, below are my Top 12 Songs of 2005. I've already put all of them on pretty much every mix I've made this past year; I didn't create or discover any of them; and they aren't particularly obscure. I do love them, however. There's one for each animal of the Chinese calendar (plus one), but the animals are out of order because I'm not Chinese and because this is the order in which the songs should be played as a mix.

None of that is very important. What's important is that I would really like you to listen to any of the following songs that you don't already have. Click the "MP3s" link above and download the ones you need; or click the "ZIP" link and download the whole sack. Also, check the doodads at the very bottom for the rest of the New Year's celebration.

1. DOG: Major Label Debut (fast version) / Broken Social Scene

The extra energy on this version is loose like an old certainty, like it comes from a water mill rather than a wall socket.

2. MONKEY: Hey Now Now / The Cloud Room
Carefully designed to make you jump every time. If you don't, there's something wrong with your spinal cord.

3. ROOSTER: We Listen Every Day / The Go! Team
Just maybe: heaven is hot pink and these are the trumpets that sound when the gates swing open.

4. OX: Kick Out the Chairs (WhoMadeWho remix) / LCD Soundsystem | Munk
As long as we can dance up in heaven, who cares if there's a shortage of chairs, muthafucka?

5. PIG: Gone (ft. Cam'ron and Consequence) / Kanye West
Should've been the first single off an otherwise mediocre album. Includes references to Burger King, Taco Bell, KFC, and restaurants that require flair ("Says she wants diamonds, I took her to Ruby Tuesday's").

6. DRAGON: Raising the Sparks / Akron/Family
Next time you're burning effigies in the deserts of Nevada, this foot-stomper best be playing on the iPod.

7. RAT: Las Cruces Jail (single version) / Two Gallants
Within the first second of this song, the vocalist (Adam Stephenson) has already broken a world record: All-Time #1 Rendition of the Word "Well." When he screams, it actually sounds like a jail break.

8. HORSE: History of Lovers / Iron & Wine | Calexico
Best collaboration of 2005. More horns.

9. GOAT: I Have a Tail / Pompey
I first heard this song yesterday, courtesy of Fluxblog. It's play count is already 4,201. And, yes, it does sound like a mutation of Animal Collective. Like a collective of imaginary battery-powered animals. Which is to say, exactly like Caribou's "Yeti," the 13th best song of 2005.

10. RABBIT: Great Day (remix of MF Doom/Madvillain) / Four Tet
A 2005 remix of the best song from the best collaboration of 2004. Unlike the original, this doesn't take place before a party, prefiguring a great day. This takes place on a porch by a stream as a great day is transforming itself into a memory. A memory which you will later relate to your "puh-sychiatrist."

11. TIGER: Two For Joy / Electrelane
Around 4 minutes and 26 seconds, "Don't go near the water" becomes "Let's get in the water." A few seconds later, this song becomes the most ecstatic track off one of the most underrated albums of '05.

12. SNAKE: Surprise, AZ (Richard Buckner cover) / Cynthia G. Mason
In an ordered universe, a collection of covers like the 2005 Believer CD would suck every time. Not here. Devendra Banhart inhabits "Fistful of Love" completely, then outstrips it; and the Constantines precisely savor the early '90s on Elevator to Hell's "Why I Didn't Like August 93." But Cynthia Mason outdoes them both. Her barebones version disposes of the affected vocals, harmonica, and twang of Buckner's original, allowing her voice to seep into the empty spaces these excisions create. For every bit she takes away, the melody becomes that much more devastating.

13. MONSTER: Great Day (instrumental mix) / Four Tet
Bonus track, the instrumental from #10.

NOTE: The temporary/celebratory title graphic is/was courtesy of one Dr. Robert Schmidt.

LNYE, Pt. 1
LNYE, Pt. 2
LNYE, Pt. 3
LNYE Condensed: Best of the Best